前言
很多时候我们在做设计方案或者作品集时，没有好的思路或者更开阔的思维模式。觉得手绘效果图画得丑就是没药可就，其实并不是。一个好的想法才是真正的好的设计核心，会说故事的人和不会说故事的人的思想和交流层面是不一样的。曾经有一位很厉害的导师说过，以人为本。关注自身且关注自己大脑所思考的事情。在做一件事情的时候要先想好，想到了就等于成功的做好这件事情的一半，思考是好学者必不可少的内容。所以在这里举了几个例子。
RAO FU - FASHION MFA
A Trip from California to New York
Old Navy project for Spring/ Summer 2016 .The inspiration is about a trip from California to New York. Using the the floral print, denim and striped fabrics to express the feeling between a relaxed vacation to a fast paced city.
2016年春夏老海军项目。灵感就是从加利福尼亚到纽约的旅行。使用印花,牛仔和条纹面料表达一个休闲且放松的度假城市。
THE COKETTES
The cockettes < 火箭综艺团 >
The project inspiration is from the Cockettes. They were a psychedelic < 引起幻觉的 > theater group < 剧团 > founded in 1969. They formed out of a a group of hippies men and women, a suburb in San Francisco.
这个作品集的灵感来源是来自火箭综艺团，一个剧团在1969年引起的一场幻觉。他们是一群来自旧金山郊区玩嬉皮士的男人和女人们。
小编 : 作品集档次最大的区别应该是灵感源的开放性。越是有趣的灵感源越能够深入下去做出好的设计且传达更好的设计理念。想象力来源于哪里？一部分在生活得细节中寻找，一部分在书海中阅览且总结。懂得什么是自己要做的，什么是自己要追求的。那么你的作品集随着你内心深处的吸引力法则，慢慢渗透在的设计作品里。看一个人的作品就如同窥探作者的内心。每个设计师内心都一处敏感且脆弱的内心，我们彼此脆弱的灵魂在产生化学反应，一起用作品产生共鸣。
Infinity nets illustion of yayoi kusama
Infinity nets illustion of yayoi kusama
Infinity Nets The illusion of Yayoi KusamaThe inspiration is coming from Yayoi Kusama's art work. The illusion from her eyes and mind.
无限网的幻觉弥生
草间弥生的灵感来自弥生草间弥生的艺术工作，从她的眼睛和耳朵里读出幻想。
Lindsey Trueman Fashion MFA
SENIOR THESIS COLLECTION
Senior Thesis Collection
Senior Thesis Collection shown September 10, 2016 at New York Fashion Week.The inspiration for my thesis collection began with a photograph I recently found of my great-great-grandmother, Mary Esther Brereton-Ingram, when she was in her early 20s. She passed away in 1920 when she was just 27 years old only two weeks after the last of her six children was born. She was so close to my age when she died, but had such a different life - I am deeply haunted and inspired by this photograph and her story. She was so young but had so much fierceness, dignity, wisdom and grace in her eyes. I also found inspiration in my indigenous heritage as well as from Christopher Nemeth’s repurposing of old postal sacks.In order to be as sustainable as possible, the fabrics used are repurposed antique textiles (linens and grain sacks), designer end cuts (brocade, wool, cotton) and linen, a naturally eco-friendly fabric. Antique grain sacks bearing original graphics, initials and embroidery were repurposed to create tailored silhouettes with a rough edge, juxtaposed with linen and cotton gauze to add softness. Melody Hesaraky, M.F.A. textile design, created the burnout brocade print for Look 5. Garments appear to have already had their own life and story, giving a sense of their history and the people who used them. I want to honor that history and simultaneously modernize it -- in the same way that I want to honor my own heritage, draw strength from it and build a legacy for the future.
毕业论文收集显示9月10日,2016年在纽约时装周。设计师的论文收集的灵感始于一张照片最近发现设计师的高曾祖母,玛丽以斯帖Brereton-Ingram,那时候她才20岁出头。1920，在她27岁只有最后两周后，她的六个孩子诞生了，她却去世了。她死时年龄是和现在的设计师如此的相近,同样的年龄却有着不同的生活,我深感困扰,灵感来自这张照片和她的故事。她是如此年轻却在她的眼睛里看到凶猛,尊严、智慧和恩典。设计师还发现灵感土著遗产以及克里斯托弗Nemeth旧邮政袋的再利用。为了尽可能地可持续发展,重新使用的面料古董纺织品(亚麻制品和谷物袋),设计师最终削减(织锦、羊毛、棉花)和亚麻,自然环保的织物。古董粮食袋子轴承原始图形,字母和刺绣是用来创建定制与粗糙的边缘轮廓,并列亚麻和添加柔软纱布。旋律Hesaraky,M.F.A.纺织品设计,创建了倦怠织锦打印5。衣服似乎已经有了自己的生活和故事,给他们的历史和那些使用他们的人。同时想尊重历史和现代化,以同样的方式,尊重自己的传统,从中汲取力量,建立一个对未来的遗产。
PAN
This project was inspired by the movie "Pan's Labyrinth" and the play between opposites - darkness and light, misery and beauty, death and life. I created a textiles collection as well as a womenswear collection using some of those textiles.
这个项目的灵感来自于电影《潘神的迷宫》和剧本之间的对立——黑暗和光明、痛苦和美丽,死亡和生命。设计师创建了一个纺织收集以及女装收集使用的纺织品。
